Jan 23 2009
Nine Ways to Hide the Truth and Get Away With It
One of the common staples of magic systems is the ability to detect lies. It’s so simple, so logical, so useful—but many people shy away from it. Why? Because it makes it hard to bring in mysteries, or conspiracies, or much of anything that requires people to hide the truth.
It doesn’t have to, though. Everything has a counter or a bypass, and lie detection is no exception. It just requires being clever.
For the sake of this essay, I’m going to use the standard lie detection effect. It requires the user to understand the speaker, and specifically detects and alerts its user to deliberate untruth.
Now. How does a clever character get around this?
1. Don’t actually lie. This is the basis for foiling any of these things: you may beat around the bush, you may sidestep the question, you may do any of a number of things, but you may not lie, because you’ll get caught. But that’s not too specific, so….
2. Answer a different question. What you want to do is give a statement that’s topical enough to be relevant to the question, and still true. Ideally, it’s true enough that they mistake it for the answer, but one can’t expect to win all the time.
3. Interpret the question more literally than the questioner originally meant, in such a way that, through a technicality or two, you aren’t actually lying when you say no. “Did you steal Lord Vigarth’s book?” can be answered with no when you consider yourself to have borrowed it—particularly when you really did put the book back when you were done with it.
4. Interpret the question as being something else entirely, if possible. This is easiest when the question is missing antecedents, as all you have to do is fill in your own. Just make sure the antecedent’s plausible, or it’ll be pretty obvious you’re lying to yourself.
5. Answer with a question of your own, preferably one where the answer might in itself answer the question. Be careful, though; this is a common enough trick that people might see it coming. On the other hand, if you’re clever (particularly if they don’t suspect you yet) you can use the answer to lead the wannabe detective in an entirely different direction.
6. Qualifiers. “It’s been said that”, “Rumor has it”, or “[Other person] seems to think that….” make effective dodges—as long as it’s technically true that it’s been said, rumor has it, or other person is as far as you can tell under the impression that [whatever you’re about to say].
These ways, of course, are the most immediate. What happens if you know ahead of time you’re going to be asked?
7. (Particularly useful for establishing alibis.) Find something you want the opposition to believe, then convince a third party, one the wannabe detectives are likely to question, that it’s true, and find a way to make sure it comes out sometime when they’re detecting the truth (these things usually only detect deliberate untruth, remember?). That way, even if they catch you lying about it, their old results indicate it’s true. Not very good for their confidence in their system, is it?
8. Magic that foils truth detection magic. Now, most people favor something that just plain immunizes them to lie detection, but that can be sidestepped by requiring the person being questioned to tell a lie so as to ensure the magic works. Something a little more subtle would be in order. One of my favorite examples is in Tamora Pierce’s Trickster’s Queen; the main character creates what she calls a “Liar’s Castle”, a trick that’s half spell and half mental exercise in which she subsumes herself in one of her cover identities, so that “truth”, for her, is what’s true of that persona. It’s still possible to lie (I particularly like this one because you can choose something true of you that you don’t want the opposition to believe as the calibrating lie), but it’ll keep your secrets safe.
Then there’s the world-creator’s way of covering the traces.
9. Put the burden of proof on things that aren’t just the lie detection magic. After all, who says the person who performed the lie detection was telling the truth, or didn’t in some way tamper with it? You can’t trust anyone these days. The detective-types know what’s really going on and can’t do anything about it (leaving an opportunity to investigate and the knowledge that such investigation is necessary), the perpetrator gets to be smug, the story’s extended, and it works out for everyone eventually. It wouldn’t be the first time that a mystery wasn’t “Whodunit?” but “How can I prove it?”
Get the hang of that, and lie detection becomes a tool, and an inconvenience, but not an uncontrollable stumbling block. And that’s what makes a story interesting.











As I was reading your post today, I pictured in my mind the way most politicians seem to operate - especially the one about sidestepping the question and not ever really answering it.
It seems nothing works with me, i always tumble in my speech, blush and start thinking,,obviously,,
ahhh am so bad at it
Thanks for the tips though
You have some really intriguing insights there, hope to use them in one of my current writing projects, thanks.
#2’s a good old one. From indignant questions like “Are you asking me if I’m a THIEF? Because I’m NOT a thief!” to maundery ones like “The question you should be asking me is if I know, at this very moment, where it is. Which I don’t.”
#4 strikes me as odd. Do you misinterpret the reference?
Inquisitia: Someone stole Lord Vigarth’s book. WAS IT YOU?
Teefly Shtickyfingers: No.
Truthsayer: It’s the truth m’lady.
Later…
Fencington: Niiiiiiiice. So didn’t they ask you if you stole it?
Teefly: No, they asked me if I was the book. I said no.
#5 reminds me of a writing exercise I heard of once where you have to write a dialogue consisting entirely of questions.
#8 - it might be instructive to know what the supposed mechanism of the lie detection is. I mean, we have “lie detectors” now that measure galvanic skin response, but the results aren’t admissible as evidence in court because they don’t work very well.
So how does a society develop when they have a way of finding out the truth? Or, if the above tips really work, do we have a situation where only a highly trained inquisitor is capable of making a determination? ‘Cause that could be pretty interesting…
Lane: Modern politics provided me with a lot of inspiration.
Dania: I get the feeling it takes practice. I have a hard time using these tricks properly face to face; the only time I’ve managed to portray an effective liar was over the internet (at which point I got downright scary; go figure. Must be the writing skills).
Nissa: Thanks! It’s always good to know I’m having an impact.
Zomb:
2–yes, always fun.
4–I’d gotten it from something that happened in one of my sessions last week. See, one of the PCs had made a deal with Amaya, one of my NPCs, several plot arcs ago, when both of them were having temptation issues. The basic agreement, on both sides, was “I give in, you kill me.” That particular arc ended with a partial betrayal on the PC’s side, but… well, he’s still breathing.
Cut to last session, where he’s confronting Amaya about some hints he’s gotten that she might be slipping. The conversation:
“You remember our little conversation and agreement?”
“Yeah.”
“So I don’t need to worry about that?”
“If I were going to kill you for selling out, I would’ve done so by now. Don’t worry.”
Fully true. Completely selective on the antecedent. It’s hard to get good setup for those, but when you can, they’re pretty priceless.
5. Fun!
8. For some reason, these things are rarely specified; it’s magic, and people just… know. I imagine it’d vary depending on the exact mechanism.
And yeah, I like the idea of a society where the magic exists, but people are clever enough to get around it. It’s more real than “This effect never fails”, and a lot more fun to write.
Cool post. I think it’s interesting when we think someone is lying, but they are telling the absolute truth.
These are great tips, Ravyn, thanks! Note to self: get off your butt and FINISH your first draft so you can start editing!
Thanks, both of you.
Shakespeare: Yeah, that’s half the fun. Truth from lies, lies from truth–I love writing smoke and mirrors.
Lynne: Good luck with your draft!
Interesting tips.
I’ll still stick with #1.
Sensible. #1’s tried and true, pretty much instinctive, and the prevaricating to keep from actually engaging in dishonesty can be half the fun right there.